This winter, Wisconsin Life from Wisconsin Public Television visited Isthmus Instruments. We are extremely proud to soon be featured on this amazing local program. You can find the story and video here. Make sure to tune in to Wisconsin Life in Fall 2018 when they begin their new season!
We are excited to announce the launch our new webstore! Every month, we plan to post a limited number of handpans for sale. If you have been looking for handpan flash sales, Check here often. Since we are still very busy building custom handpans, the instruments available on the webstore may vary every month. To stay notified of shop updates, you can signup for our mailing priority list.
If you don’t see what you are looking for in the new shop, please check out our custom order page to learn more about designing your own custom handpan.
Our new shop will help beginners and experienced handpan players alike find quality instruments in a great price. We guarantee our workmanship and our customers thank us for it! We want to make all of our customers happy, and we are here to answer any questions you have along the way to finding your new (or second, or third) handpan!
Happy holidays to all our friends and thanks for all your support in 2017!
- The Isthmus team
At Isthmus Instruments, we recommend the following regular maintenance and cleaning for your Isthmus handpan. (Other makers may have their own approach to cleaning their handpans, but we find this method to work best with our Instruments).
* How often you clean your handpan is a matter of both preference and environmental conditions. We suggest you clean more often when the instrument has been exposed to excessively humid or salty environments.
Step 1: Use a microfiber cloth to wipe your handpan free from dust or excessive oils.
Step 2: Use another soft cloth (workshop paper towels or an old shirt will work), wetted with 91% isopropyl alcohol to remove old oils. Make sure you clean both sides of your handpan.
Depending on when was the last time you cleaned your handpan, you might have to repeat this action several times.
* You may choose regular maintenance in between cleanings. Start at step 3 for regular maintenance.
Step 3: Apply Phoenix handpan oil to your handpan to maximize rust resistance.
Use an old shirt or any other cotton rag, add several drops of Phoenix handpan oil, rub into the surface and repeat as needed. Make sure you cover every spot of your handpan with this protective handpan oil layer.
The oil will change the color of the instrument to a slightly darker shade.
We recommend Phoenix handpan oil as the only oil to be used with our Isthmus handpans. This oil will not affect the sound quality of your Isthmus Instrument handpan. If you live in an especially humid climate, we suggest you monitor the surface and re-apply oil when necessary to continue to prevent rust.
Step 4: Use your clean microfiber cloth or a dry rag to soak the excess oil from your handpan.
Make sure you repeat this action on both sides of your handpan. If you have any questions about this cleaning method, please don't hesitate to contact us.
* There is no need to clean or oil the inside of your handpan.
* How often you clean & remove old oils in steps 1 & 2 is a matter of both preference and environmental conditions. We suggest you monitor your instrument in it's new environment and adjust your cleaning/maintenance as necessary.
* Store your instrument outside of it's protective case, or unzip the case to allow airflow to prevent rusting.
Isthmus Instruments is involved in volunteer work for the local community through Wisconsin Department of Public Instruction.
The "Strategic Planning Day” was held on August 4th, 2017 at the Lussier Family Heritage Center in Madison. The DPI provides schools with tools and resources to support students in the non-cognitive variables that contribute to student success. Their work spans challenges such as bullying, mental health issues, school-age parents, LGBTQ issues, school safety, after/before school programs, and resiliency; as well as supporting the four school-based pupil services categories: school counseling, school nursing, school psychology, and school social work. The day was dedicated to educating for mindfulness. Thanks to everyone who participated and made this day special.
Check out the Department of Public Instruction website:
My name is Shlomo Calvo.
I was born and raised on the sunny beaches of Tel Aviv-Israel.
As a kid, my parents encouraged me to take piano classes.
I loved it, and couldn't wait to get home from school each day and play the piano.
As the years passed, I played it less and less and for a while,
I felt like I lost my desire for music.
It was only when I got out of the Israeli army (in Israel everybody has to serve),
that I re-found my love to music.
I still remember that day.
The year was 2005.
I was 21, traveling through India and Thailand. And had no idea what I wanna to do with my life.
Most of my time was spent on partying and dancing to Trance music.
Until one day, I was walking on the beach in goa, India.
Suddenly I heard the most amazing sound I ever heard in my life.
As I kept walking, I noticed a guy sitting by the water and playing a UFO shape like drum.
It was magical.
At that moment, I knew what I wanna do in my life.
Since that day, I dedicated my life to searching for a handpan and a few years later, I bought my first one. My life has changed forever.
In 2012 I moved to the United States.
It has always been my dream to live in this great country and I was so excited about living here.
But I had no job or no savings.
So I decided I am going to play on the street for one hour and see how much money I make.
To my great surprise I made much more money than I even hoped for.
In the next 5 years busking and playing shows have been my only way of living.
I moved to New Orleans and spent a few years there.
I always had that confident that wherever I go I could always get by and have enough means to support myself, as long as I have my handpans with me .
I was lucky enough to play with a few of the best bands in New Orleans.
We played at big bars, smaller venues and amazing festivals.
All of these I could not done without the handpan in my life.
These days i am living in Madison Wisconsin, working for Isthmus Instruments full time, surrounding myself even more with these beautiful instruments.
This is how handpan saved my life.
On May 13th 2017, Isthmus Instruments hosted the first handpan gathering in the midwest. The focus of the gathering was to bring together people who share interest handpans. All experience levels were welcomed- from attendees never having touched an instrument before, to experienced players wanting to learn more. Several technique workshops were hosted by Mark D'Ambrosio , Shlomo Calvo and Maxwell Edison Johnson. The following video recap was made possible by Tony Meister of Chameleon Communications in Milwaulkee, WI. Thanks to all that attended, participated, and shared in the love & learning of this instrument! We at Isthmus Instruments are looking forward to continuing to build the community through future gatherings. Your input is always appreciated. Happy Summer Everyone!
If you are like us, then there is something special that happens when you hunker down with your handpan in a comfortable place. Sometimes a quiet room, sometimes out in nature, and sometimes surrounded by people. Here are a few local people are doing really neat things with their Isthmus Instrument handpans:
Kristie Vosburg shares her music in and around Waukesha, WI. She began a monthly meetup group which incorporates a guided relaxation/meditation with the handpan.
What Kristie says about playing the handpan: "In November of 2016 I purchased a handpan from Isthmus Instruments. Since then I have truly enjoyed every minute of playing my handpan, and very soon after purchasing it I also began playing it on a monthly basis for a guided meditation at a friend's yoga studio. It has been a hit and I have received a lot of positive feedback from the people attending these meditations. I am having a great time on my handpan journey and I am looking forward to what the future will bring for me with this awesome newfound instrument!" ~ Kristie
Tony Meister shares his music in and around Milwaukee, Wisconsin. You might find him outside a coffee shop, at a wedding or special event, or wherever his travels may take him...
What Tony says about playing the handpan: "The handpan lends itself to effortless expression that draws young and old from all walks of life. The unique sound makes it fresh and new every time I hear it and just the experience of playing the handpan takes me to an alternate milieu. I am so caught up in the moment as I go to that place; a place I love to take people to. " ~Tony
We would love to hear your story, too! Send an email to firstname.lastname@example.org
When people visit the Isthmus Instruments workshop, one of the first things they often ask is “Do you teach lessons on how to play the handpan?" Fortunately, we can answer "Yes", and we want to offer a variety of ways to help you learn and enjoy your instrument.
1) Workshops & Retreats - The first small scale midwest handpan gathering will be hosted by Isthmus Instruments in Madison, WI. It will include Beginner & Intermediate handpan playing workshops. Register for event in May 2017 by clicking HERE. Stay tuned for the 2018 retreat location & announcement...
2) Lessons - If you live in the Madison, Wisconsin area and travel to the Isthmus Instruments Workshop to purchase an instrument, we are happy to offer one free introductory lesson with long-time handpan player Shlomo Calvo to help you get started with your instrument. Just ask us to learn more. We will also share with you our 2-part beginner's approach during your visit:
a. Developing the touch- Admittedly, the most difficult thing about playing a handpan for the first time is learning how to touch the notes quickly for best resonance. We will introduce you to the techniques we use on your first visit.
b. Learn your scale - With a sense of touch beginning, working the scale up and down and with constant left-right hand alternations will develop: fine motor control, spatial awareness & rhythm coordination, patience, ear sensitivity & dynamic control. These two steps are foundations for all your future playing!
3) Other Resources- Free handpan lesson options can be found by simply searching for them on Youtube. For some more at length programs, we like these DVDs by Colin Foulke & David Kuckermann. We also learned of a new program offered by David Charrier that is available as an online course, with some great reviews.
How to choose a handpan scale
Alison Mikulyuk & Jenny Robinson
If you just recently discovered handpan instruments, you might become surprised or even overwhelmed to learn of the vast number of scales available for handpans. How to choose a handpan scale is a common question. Isthmus Instruments developed an application to help with this particular question. Here is a screen shot (the link to the site is below):
If you've spent some time looking at videos or listening to handpan sound recordings, you probably noticed that each instrument has its own voice-- some sound happy, others sound intriguing or introspective. The affective quality of handpan music is in part determined by the musician and the creative choices they make, but it is also determined by the notes available to the musician. If the handpan player is a painter, the handpan scale is that painter's palette.
We wondered whether removing the musician from the equation would help us better focus on the musicality of each scale. We decided to build an app that would play a random sample of 'music' based on a user-defined set of notes. The randomness sounds a bit odd at first, and using the computer to generate sound from sine waves has a distinctly robotic or mechanical feel, but we like how this tool can be used to systematically compare different muiscal scales. In the app's two tabbed windows, you can either explore one of many scales used by handpan builders, or you can specify your own set of notes.
For example, here are two random samples drawn from two scales we often build at Isthmus Instruments:
Which scale appeals to you more?
Does your preference remain the same when comparing to actual instruments? Why or why not?
Certainly, this application cannot substitute the process of finding a builder you prefer based on timbre or quality of sound. However, we do think it is a useful tool that may help you explore a set of notes quickly, and with reduced bias. With random note generation, maybe it is possible to look deeper into the inherent ability of a set of notes to make patterns that sound like melody to human ears, regardless of the skill of the player.
Let us know what you think!
**Please use desktop versions of Google Chrome, the app won't work in other browsers or on mobile devices**
Want to try it yourself? Click here to travel to the app:
We built this tool in the R environment for statistical computing using the 'Shiny' package:
R Core Team (2016). R: A language and environment for statistical computing. R Foundation for Statistical Computing, Vienna, Austria. URL https://www.R-project.org/.
Winston Chang, Joe Cheng, JJ Allaire, Yihui Xie and Jonathan McPherson (2016). shiny: Web Application Framework for R. R package version 0.13.2. https://CRAN.R-project.org/package=shiny
Some snapshots of the Big Shot contact mic by K & K sound on Isthmus Handpans.
For live handpan amplification, we would like to share a microphone setup we have used. With one quarter-sized contact microphone, your whole handpan can be amplified. When placed on the instrument bottom below the Gu (soundhole), the microphone picks up vibrations to output through the surface of the steel. Admittedly, the sound output from any amplifier will change the user and listener experience. This may or may not be your thing, but it can help the handpan music carry in loud areas. The one we have used is called The Big Shot, from K & K sound. It is affordable and works well.
Attach the jack near the Gu. Add support for the jack with duct or gorilla tape. It may not be pretty, but it works! Use the double sided light adhesive that came with the K&K microphone to stick the contact mic portion to the handpan. Experiment for the best placement. Add two pennies ontop of the mic portion to enhance the sound. Removing the contact mic and jack is tricky and best done with the help of a small sharp edge like a razor blade. (If you are worried about disrupting the surface of your instrument, this setup may not be right for you). Use isopropyl alcohol or acetone to remove bits of remaining adhesive, and you are back to acoustics.
Thanks to Shlomo for these tips. Find him here: shlomocalvo.com
At Isthmus Instruments, we have found that our handpans are able to resonate in the best way possible when used in conjunction with a well made stand. We would like to share with you two handpan stand options that we often use. Both of these stand options are readily available and easy to use.
Yamaha SS-740A Snare Stand
1) The snare drum stand with adjustable arms. There are other brands available, but the essential part of using a snare drum stand with a handpan instrument is making sure that arms that are used to hold the handpan/snaredrum are able to be moved up or down and locked into a taller 'v' arm position. This allows the instrument to rest on the rubber tips (rather than the metal support arms).
We find this model available from amazon.com and it works well for casual playing of our instruments. Benefits include more mobility around the instrument for speed and ease of playing and increased resonance due to reduced bottom dampening.
Sounds Inspiring - Handmade stands
2) The custom handpan stand, made by Richard at Sounds Inspiring. This is a great value on a stand that also has visual appeal. The handmade stands fold up beautifully and keep flat for travel or storage. Beyond the built in quality/ purpose- these stands are available in a standing version, which can be hard to find. We like the standing height with the locking leg version. If you play fast or harder however, the legs may sway a bit, but this is normally not a problem.
Inquistive muscians, engineers, metal workers, hobbyists and makers who have heard the sound of handpan music- all inevitably seem drawn to ask the question, ”How do you make a handpan?”
The exterior shape offers few answers. With two steel sheets of metal fastened together to look much more like a UFO or a weber grill, the hammer marks and dimples hint at something beyond the visible form. For the piano, we can lift the lid and see the felt tipped hammer that strikes the strings, for the drum we can see the mallets or hands bounce upon a stretched membrane, for the woodwind we can find the reed and sounding holes. But with handpan instrument, we hear evidence of mechanism, yet look inside to find only a hollow body…It is this new form and sound that has captured our attention.
Every handpan builder employs different steps to reach their unique sound. The recipes get more refined and specific over time. Below are a few pictures which share a very basic process of building a handpan. Click on the pictures for more information. For more technical & in depth resources for those looking to try their hand at building, we recommend this handpan building page by Saraz handpans.
Step 1. Sinking. Transforming a flat steel surface into a bowl shape that will eventually become a handpan.
Step 2. Heat treatments. Methods we use may include torches, kilns, ovens or furnaces.
Step 3. Shaping the handpan. All makers use different tools for this process.
Step 4. Tuning. Some of the most differentiation in instrument timbre can come from the the processes employed in steps 3 & 4.
Step 5. Glueing. Most handpans are joined with adhesives choosen by the builders.
Step 6. Retune(s) after glue. Once the shells are joined, the handpan builder retunes the instrument through the soundhole with a small hammer.